za isolacinema.org pi??e Gabriela Babnik
Knjiga, ki je potovala z menoj v Izolo, nosi naslov Nevednost. Milan Kundera. Ker imam čas (samo zato, ker sem si ga vzela), ker zunaj de??uje, ker je v ??otoru ravno dovolj svetlobe, lahko v njej preberem: “Po gr??ko se vrnitvi reče mostos. Algos pomeni bolečino. Nostalgija je potemtakem bolečina …” » beri dalje
Na leto??njem festivalu Kino Otok je bilo v tekmovalni sekciji Trgatev prikazanih pet filmov. Najbolj??i film po izboru občinstva je film Polno ali prazno, enega najpomembnej??ih iranskih re??iserjev, Abolfazla Jalilija. Polno ali prazno bo tako pri??el v redno distribucijo v slovenske kinematografe. » beri dalje
Spodaj si lahko preberete izbrane misli Abolfazla Jalilija, kot jih je povedal na pogovoru v Art kinu Odeon na tretjem festivalu Kino Otok:
My son is studying cinema in France. Last year, when I was working on my next film Hafez in the southern Iran, he came home for holidays. I was trying to obtain the permissions for shooting from the government and the work was being delayed for two weeks. So I suggested to my son to start working on his film for the time being, and when we get all the necessary permissions, we shall start mine. » beri dalje
za isolacinema.org pi??e Gabriela Babnik
Zjutraj, v preskakovanju lu??, na poti do Hrepenenja in Občutljivega zločina, pomislim na enega najosuplivej??ih filmskih prizorov, ki sem jih kdajkoli imela prilo??nost videti. Prizori??če: frizerski salon. Dva frizerja hkrati obdelujeta stranke. Ena (stranka) je temnej??e polti od ostalih in ravno slednja se prito??i čez neločevanje »črnih« od »belih«. Protest se ne konča s pretepom zunaj salona, temveč z zagovarjanjem na policijski postaji. » beri dalje
za isolacinema.org pi??e Sara Hrovatin
Peter Mettler je kanadski re??iser s ??vicarskimi poreklom. Na leto??njem festivalu bomo lahko videli kar tri njegove filme – Balifilm, Podoba svetlobe ter Hazarderji, bogovi in LSD. Vse tri bi lahko uvrstili med eksperimentalne dokumentarce, saj se re??iser ne loteva obravnavane tematike na tradicionalen dokumentarni način, ampak ??eli prikazati svoj notranji pogled navzven, svojo izku??njo s svetom, ki ga ujame na platno. » beri dalje
za isolacinema.org pi??e Oana Stopariu
With her latest film Valeska Grisebach moved further from clich??s somehow expected from a young director. A second film that still avoids mainstream entertainment, a judgement already stated about her work and artisitic vision. Longing developed again the ability of thinking and breathing, as the director herself is creating strong images instead of usual kynestezic emotions. » beri dalje
za isolacinema.org pi??e Gabriela Babnik
Morda nekoliko neugledno za začetek, pa vendarle: včeraj mi je poti iz strani??ča v kamp, v u??esih za??umela Alijeva glasba. Samo en komad, nič več, samo toliko, da sem se opomnila: danes je (sicer res nekoliko pav??alno rečeno) izolski dan Afrike. Zjutraj in v večerni projekciji se je namreč vrtel film burkinskega re??iserja Kollo Daniel Sanouja – Tasuma (le Feu). Film sem si ogledala zjutraj, da ne rečem v skoraj salonskem Art Kinu Odeon. Danielovega filma sem se sicer medlo spominjala iz Burkine. » beri dalje
za isolacinema.org pi??e Oana Stopariu
Creativity by appropiation of an entire atmosphere created around a subject, this is how William E. Jones is not only presenting and reinventing the subject of his films, but chunks down from elitist concepts to simple principles as values of life. Maybe this is why for a while his work might have seemed “simple videoish”. » beri dalje
za isolacinema.org pi??e Oana Stupariu
Each scene of his films could be excellent photo, black and white format which simply takes art in the most unexpected places. And as it has been proved that 80% of human kind is strongly visual and thinks in images, instinctivly Bill Daniel is both interested in the traditional accuracy of the documentary photography and inner pictures of his characteres. Who is Bozo Texino? leads to inner strengh and freedom, losing prejudice and artificial conventions, but independence has a price to be paid and gets its followers to marginal contexts. » beri dalje
