Out of Fespaco
Monday, May 23rd, 2005Helmut Groschup, for Isola Cinema
African filmmaking is too often equated with film production from Mali, Senegal and Burkina Faso. It is true, of course, that these countries have produced many excellent directors, such as Djibril Diop Mambéty from Dakar, Bamako’s Souleyman Cissé and Idrissa Ouédraogo from Ouagadougou. Yet the cinema of these countries is largely influenced by the traditions of their colonial past. Besides being critical, it also reflects a conformity which is the inevitable result of economic restrictions. Being involved in filmmaking means, first and foremost, complying with the dictates of the market and with production demands.
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