delicate crime
CRIME DELICADO
Brazil 2005
režija/directed by
Beto Brant
scenarij/screenplay
Beto Brant, Marçal Aquino, Maurício Paroni de Castro,
Marco Ricca, Luiz Francisco Carvalho Filho
Temelječ na romanu Um Crime Delicado, Sérgia Sant’Anne.
fotografija/cinematography
Walter Carvalho
glasba/music
Alessandra Pais
montaža/editing
Willem Dias
zvok/sound
Louis Robin
igrajo/cast
Marco Ricca, Lilian Taublib, Felipe Ehrenberg, Maria Manoella
producenti/producers
Bianca Villar, Renato Ciasca, Marco Ricca
produkcija/production
Drama Filmes
205 Rua Aspicuelta
Sao Paulo SP 05433-010
Brazil
tel: +55 11 38151905
fax: +55 11 38151905
dramafilmes@uol.com.br
www.dramafilmes.com.br
MG Ricca
koprodukcija/co-production
format/format
35 mm, barvni in čb/colour and b&w
dolžina/running time
87′
prodaja/world sales
Grupo Novo de Cinema e TV
Rua Capit�?o Salom�?o 42
Humaitá
22.271.040 Rio de Janeiro
Brazil
tel: +55 21 25391538
fax: +55 21 22663637
international@gnctv.com.br
www.braziliancinema.com
Control is the stamp in the life of Antonio Martins (Marco Ricca). As a respected theater critic, he embraces his career with devotion and dignity. His reviews translate his solid background and demonstrate a personality led by reason. Not a single detail around him escapes his observant analysis and his sharp reasoning, often full of cynicism. Everything and everyone seems to fit into the concepts he masters, even human relationships.
A fortuitous meeting at a bar introduces Antonio to a disturbing element to this order he feels so comfortable with: the lovely Inęs (Lilian Taublib). Uninhibited, attractive and bearer of several unexpected aspects, Inęs does not fit into Antonio’s rational schemes, therefore destabilizing him.
Inęs keeps an ambiguous relationship with painter José Torres Campana (Felipe Ehrenberg), an older man who exerts a fascination on her in which Antonio cannot interfere. Jealousy, which penetrates the slots of the narrative through a few theatrical stagings – punctuating the plot –, completes the scenario so that Antonio’s imagination bursts into new possibilities.
Brazil 2005
režija/directed by
Beto Brant
scenarij/screenplay
Beto Brant, Marçal Aquino, Maurício Paroni de Castro,
Marco Ricca, Luiz Francisco Carvalho Filho
Temelječ na romanu Um Crime Delicado, Sérgia Sant’Anne.
fotografija/cinematography
Walter Carvalho
glasba/music
Alessandra Pais
montaža/editing
Willem Dias
zvok/sound
Louis Robin
igrajo/cast
Marco Ricca, Lilian Taublib, Felipe Ehrenberg, Maria Manoella
producenti/producers
Bianca Villar, Renato Ciasca, Marco Ricca
produkcija/production
Drama Filmes
205 Rua Aspicuelta
Sao Paulo SP 05433-010
Brazil
tel: +55 11 38151905
fax: +55 11 38151905
dramafilmes@uol.com.br
www.dramafilmes.com.br
MG Ricca
koprodukcija/co-production
format/format
35 mm, barvni in čb/colour and b&w
dolžina/running time
87′
prodaja/world sales
Grupo Novo de Cinema e TV
Rua Capit�?o Salom�?o 42
Humaitá
22.271.040 Rio de Janeiro
Brazil
tel: +55 21 25391538
fax: +55 21 22663637
international@gnctv.com.br
www.braziliancinema.com
Control is the stamp in the life of Antonio Martins (Marco Ricca). As a respected theater critic, he embraces his career with devotion and dignity. His reviews translate his solid background and demonstrate a personality led by reason. Not a single detail around him escapes his observant analysis and his sharp reasoning, often full of cynicism. Everything and everyone seems to fit into the concepts he masters, even human relationships.
A fortuitous meeting at a bar introduces Antonio to a disturbing element to this order he feels so comfortable with: the lovely Inęs (Lilian Taublib). Uninhibited, attractive and bearer of several unexpected aspects, Inęs does not fit into Antonio’s rational schemes, therefore destabilizing him.
Inęs keeps an ambiguous relationship with painter José Torres Campana (Felipe Ehrenberg), an older man who exerts a fascination on her in which Antonio cannot interfere. Jealousy, which penetrates the slots of the narrative through a few theatrical stagings – punctuating the plot –, completes the scenario so that Antonio’s imagination bursts into new possibilities.
