za isolacinema.org pi??e Sara Hrovatin
Peter Mettler je kanadski re??iser s ??vicarskimi poreklom. Na leto??njem festivalu bomo lahko videli kar tri njegove filme – Balifilm, Podoba svetlobe ter Hazarderji, bogovi in LSD. Vse tri bi lahko uvrstili med eksperimentalne dokumentarce, saj se re??iser ne loteva obravnavane tematike na tradicionalen dokumentarni način, ampak ??eli prikazati svoj notranji pogled navzven, svojo izku??njo s svetom, ki ga ujame na platno. beri naprej | read more
za isolacinema.org pi??e Oana Stopariu
With her latest film Valeska Grisebach moved further from clich??s somehow expected from a young director. A second film that still avoids mainstream entertainment, a judgement already stated about her work and artisitic vision. Longing developed again the ability of thinking and breathing, as the director herself is creating strong images instead of usual kynestezic emotions. beri naprej | read more
za isolacinema.org pi??e Oana Stopariu
Creativity by appropiation of an entire atmosphere created around a subject, this is how William E. Jones is not only presenting and reinventing the subject of his films, but chunks down from elitist concepts to simple principles as values of life. Maybe this is why for a while his work might have seemed “simple videoish”. beri naprej | read more
za isolacinema.org pi??e Oana Stupariu
Each scene of his films could be excellent photo, black and white format which simply takes art in the most unexpected places. And as it has been proved that 80% of human kind is strongly visual and thinks in images, instinctivly Bill Daniel is both interested in the traditional accuracy of the documentary photography and inner pictures of his characteres. Who is Bozo Texino? leads to inner strengh and freedom, losing prejudice and artificial conventions, but independence has a price to be paid and gets its followers to marginal contexts. beri naprej | read more
Filip Remunda in V?t Klus??k sta re??iserja filma ?e??ke sanje, ki v okviru distribucije Otok prihaja v slovenske kinematografe. Pogovor z avtorjema če??ke dokumentarne hiperkomedije je nastal na filmskem festivalu v Karlovyh Varyh. Z njima se je pogovarjal Colin O`Connor. beri naprej | read more
za isolacinema.org pi??e Oana Stupariu
foto © Jo??e Rehberger Ogrin
Va??i filmi predstavljajo nekak??en rentgenski pogled na regijo, iz katere prihajate. Kako se od prikazanih problemov odtrgate in nanje pogledate od daleč?
Zame kot filmarja je poglavitna motivacija interes za mikrokirurgijo člove??ke du??e. Ta je tarča mojega pogleda. Bolj kot dejanja me zanimajo ljudje in prepričan sem, da je vsako dejanje zgolj posledica odnosov med ljudmi. Pripovedujem pač zgodbe o ljudeh, ki ??ivijo v moji de??eli. ?e bi hotel posneti film v drugem okolju, bi to storil le, če bi me na nanj vezala kak??na posebna ideja ali odnos. beri naprej | read more
Najradostnej??a klika festivala, ki jo sestavljajo udele??enci delavnice Vesela kamera, ne počiva. Tokrat so rekli eno ali dve z Josuem Mendezom, diplomirancem iz Yalea in avtorjem perujske analogije Scorcesejevega taksista, Santiagovi dnevi (urnik je tule, pa srečno, Kino Otok se ??al izteka, kaj hočemo…)
Ah ja, intervju z Josuem Mendezom si oglejte tule:
pogovarjal se je Denis Valič
foto © Jo??e Rehberger Ogrin
Omenila ste, da sta s sodelavcem Willijem Behnischem pričela pisati scenarij za film Usoda vulkana izhajajoč iz podobe mo??kega v ognju. Gre za kak??no konkretno ali povsem abstraktno podobo?
Konkretno, za podobo iz filma Nostalgija Andreja Tarkovskega. Tam se mo??ki polije z bencinom in za??ge. Zdelo se nama je, da ta podoba povzema oziroma sintetizira občutje, ki sva ga imela o Argentini. Toda nazadnje to sploh ni bilo pomembno, saj sem med samim snemanjem zavrgla večino prvotno napisanega scenarija. beri naprej | read more
spra??eval Jurij Meden
foto © Nejc Vavpetič
Srečali smo se z najbolj neučakanima gostoma leto??njega festivala, ki sta v Izolo prispela ??e pred pričetkom festivala. Pablo Trapero in Lisando Alonso, boter in enfant terrible novega argentinskega filma, sta nam zaupala nekaj misli o svojem ustvarjanju ter nekaj sve??ih vtisov pred-festivalskega utripa. Oba intervjuja sta nastala v produkciji prolifične internacionalne gonzo-tvrdke Vesela kamera (Salud!).
Ko se je Babica na svoji izredno uspe??ni festivalski poti meseca maja ustavila v Izoli, nam je re??iserka Lidija Bobrova s filmom poslala prav posebno darilo – glavno igralko Olgo Oni??čenko, ki je izolskemu občinstvu in gostom nemudoma prirasla k srcu. Kako tudi ne: odprta, nasmejana in strastna je v svoji resnični podobi precej??nje nasprotje ne??ni, bledi, strti Lisi iz filmskega platna. A tudi kadar Olga odlo??i svojo filmsko vlogo, ostaja enako sočutna, goreča v svojih prepričanjih in pogledih na svet. beri naprej | read more
Oana Stopariu for isolacinema.org
The biggest democracy of the world can anytime be placed on an equal position with Europe and even defeats when it comes to demography… Bollywood produces the biggest number of films in the world. Indian film production keeps the ascendant trend year after year, a possible social model proposed using the pattern of Holywood or just cosmopolitism and glamour. In such a strong competition, independent Indian filmmakers have a hard time surviving.
Oana Stopariu for isolacinema.org
The film selection at the first edition of Izola`s Film Festival was a unique combination of films with different approaches and locations. The music of Brazil, Russian or Iranian realities are some of the subjects presented alongside the retrospective of Slovenian films. Globalization, present in every corner of the world, and cosmopolitism find themselves at home in Izola, a small coastal town on the Adriatic shore.
za isolacinema.org pi??e anita traversi
Na obalni zabavi pod svetilnikom so festivalski vozniki pozno ponoči odlo??ili ??e enega te??ko pričakovanega pri??leka. Finski re??iser Mika Kaurismaki je priletel iz Ria, ??est ur postopal po Parizu in naposled prispel do Benetk. Po prihodu v Slovenijo smo mu pod nos pristavili diktafon in nastal je tale kratek nočni pogovor.
beri naprej | read more
oana stupariu for isolacinema.org
She is frail and looks a little bit pale, so natural in her dissimulating modesty. This is Olga Oni??čenko alias Lisa from the film Granny by Lidia Bobrova. Dissimulation is just one constant aspect of her acting career and modesty she defines as just being sure of values she stands for. Nowadays it is uncommon to meet an actress who is so in touch with her own self and who so easily lets go of the inner parts of her personality in order to accomplish a character in her entirety. One can recognize the Russian soul of this actress – it is so full of passion, compassion and overwhelming generosity with which she acts and spreads her talent on stage or behind camera.
beri naprej | read more
oana stupariu for isolacinema.org
Apichatpong Weerasethakul - winner in Cannes, a guest in Izola
Apichatpong Weerasethakul represents a new wave of directors enriched by the wonders of progress and ways of easy reaching to the ideas that one belives in. Born in 1970, in Bankok, Thailand, with each of his films, Apichatpong Weerasethakul mixes fact anf fiction in building identities for its characters even if reality presented is not always linear as life itself keeps its surprises. Abstract and fragmented, his latest film Blissfully Yours, made in 2001, is either a real or an acted one. The answer is not quite important, but seeing the film is. Shown in Cannes, Apichatpong Weerasethakul`s first feature film is a revelation concerning the narrative structure by varying banal dialogues shatered in a time dilluation.
beri naprej | read more
pogovor z Josuem Mendezom
intervju s Pablom Traperom [2.6 Mb]
intervju z Lisandrom Alonsom [6.7 Mb]