za isolacinema.org pi??e anita traversi
Na obalni zabavi pod svetilnikom so festivalski vozniki pozno ponoči odlo??ili ??e enega te??ko pričakovanega pri??leka. Finski re??iser Mika Kaurismaki je priletel iz Ria, ??est ur postopal po Parizu in naposled prispel do Benetk. Po prihodu v Slovenijo smo mu pod nos pristavili diktafon in nastal je tale kratek nočni pogovor.
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festivalski dnevnik pi??e nikolai jeffs
V Izolo potujem z dvema navdu??encema nad Afriko – Gabriele in Rokom. Lakota nas daje, pripadamo skupnosti, ki ??irino sveta ne enači z ozkimi mejami svojega neznanja, če??: “Ker ne poznam nobenega afri??kega filma, Afrika filma nima …”
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oana stupariu for isolacinema.org
She is frail and looks a little bit pale, so natural in her dissimulating modesty. This is Olga Oni??čenko alias Lisa from the film Granny by Lidia Bobrova. Dissimulation is just one constant aspect of her acting career and modesty she defines as just being sure of values she stands for. Nowadays it is uncommon to meet an actress who is so in touch with her own self and who so easily lets go of the inner parts of her personality in order to accomplish a character in her entirety. One can recognize the Russian soul of this actress – it is so full of passion, compassion and overwhelming generosity with which she acts and spreads her talent on stage or behind camera.
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oana stupariu for isolacinema.org
Apichatpong Weerasethakul - winner in Cannes, a guest in Izola
Apichatpong Weerasethakul represents a new wave of directors enriched by the wonders of progress and ways of easy reaching to the ideas that one belives in. Born in 1970, in Bankok, Thailand, with each of his films, Apichatpong Weerasethakul mixes fact anf fiction in building identities for its characters even if reality presented is not always linear as life itself keeps its surprises. Abstract and fragmented, his latest film Blissfully Yours, made in 2001, is either a real or an acted one. The answer is not quite important, but seeing the film is. Shown in Cannes, Apichatpong Weerasethakul`s first feature film is a revelation concerning the narrative structure by varying banal dialogues shatered in a time dilluation.
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