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Če sta Vlada in Televizija zamudili svojo priložnost popraviti naš iztirjeni svet, potem je Sedma umetnost morda še edina, ki nam tukaj lahko pomaga. Iranski režiser Salman Salur vztraja na poziciji, ki tegob njegove države ne posreduje v svet na ekspliciten način: njegova vizija se giblje v prostoru med literaturo in fotografsko podobo ter obe prvini stopi v nežno metaforo, da bi se izognila cenzuri. Vendar Iz dežele tišine vsekakor ni tih prvenec.

filmi vesele kamere: hvalnica norosti

intervju s Samanom Salurjem [5.3 Mb]

film

Spored pogovorov in spremljevalnih prireditev za petek, 27. maj:

Today's the day!
First guests are arriving to Izola, Lisandro Alonso and Pablo Trapero already arrived yesterday, while Roger Gnoan M'Bala , Hanny Tchelley-Etibou and Clark Walker joined us today.
The 'Ĺ kamp' is filling up with campers and Punta is getting dressed up with bookstalls, workshops and music gear. The Happy DV crew is doing overtime, and you can already see the first results of their creative folly.

We met two of the most eager festival guests, who have arrived in Izola before the official opening. Pablo Trapero and Lisandro Alonso, the godfather and the enfant terrible of the new Argentinian cinema provided us with some insights into their work and a few fresh impressions on the festival hustle and bustle. Both interviews were made by the prolific international Happy DV gonzo-outfit (Salud!).

filmi vesele kamere: hvalnica norosti

O veseli kameri

Insight: Signes de Nuit

Without Title 1 / Sans Titre 1, Kazumi Kanemaki, JAPAN, 1999, 7′

Defloration / Desfloration, Rosamary Berrios, MEXICO, 2001, 4′

Insight: Kino Klub Novi Sad

The swing never stops, Marko Kaćanski, 2004, 5'
A serial killer talks about his murders.

Upper Stream of Danube / Gornje Podunavje, SrÄ‘an Ä?uranović, 2005, 19'
The flora and fauna of the upper stream of the Danube, depicted as an authentic experience of a natural reserve.

The Army (and me) / Armija (i ja), Filip Markovinović, 2005, 24'
I was in the army and I made a film..

foto © Barbara Trbojević

Today's the day! Na Kino Otok prihajajo prvi gostje, Lisandro Alonso in Pablo Trapero sta prispela že včeraj, Roger Gnoan M'Bala in medijska aktivistka ter osrednja figura kinematografije Slonokoščene obale, Hanny Tchelley-Etibou pa danes. Škamp se polni z obiskovalci, festivalska punta pa s stojnicami, delavnicami in glasbeno opremo. Veseli kamermani so marljivi kot mravljice, celo mestece jih je polno, na naši spletni strani pa že lahko najdete prve plodove njihove kreativne norosti. O tem, katera od teh dveh komponent je v njihovih izdelkih dominantna, zgodovina (zaenkrat) molči. Najsi bo tako ali drugače, njihovi objektivi so odločno uperjeni v današnji pričetek festivala Kino Otok 2, ki se kot lanski pričenja s pravo poslastico.