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za isolacinema.org piše Denis Valič

Po tem, ko je sredi osemdesetih onkraj zidu, ki je ločil Vzhod od Zahoda, naplavilo številne mojstrovine iz držav nekdanjega sovjetskega imperija, k čemur je pripomogla tedanja politična odjuga, pa smo bili z nastopom devetdesetih ponovno priča skoraj popolni ukinitvi dotoka informacij o filmski produkciji teh držav.

Kino Otok na Planetu!

Letos se na Otoku obeta še ena medijska novost – v sodelovanju z Mobitelovim Planetom bomo za uporabnike Mobitelovih mobilnih telefonov pripravljali vsakodnevne mobi novice, nekajminutne dnevne utrinke vrhuncev festivalskega dogajanja, zato spremljajte dnevno festivalsko dogajanje na mobilnem Planetu! Za hitri dostop pošljite SMS P OTOK na 1919.

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The above script will open my "jex5.htm" page in a new window. As you know, replace this with url of the page you wish to open, and adjust the other attributes to your liking. If you need to know more about the window.open function, see the Opening a New Window tutorial and learn that first.....then come back and get going with the rest of this section.

Portrait of the Anguished as a Filipino

piše Noel Vera

I first encountered Lav Diaz's rather unique sensibility in Joey Gosengfiao and Lily Monteverde's Good Harvest Film Festival, in 1998. The film was Serafin Geronimo: Kriminal ng Baryo Concepcion, starring Raymond Bagatsing, a minor Filipino-Indian actor (his surname is derived from "Baghat-Singh") who plays Geronimo as a kind of Raskolnikov figure, haunted by guilt for his part in a kidnapping gone horribly wrong. It was not a perfect film, I thought – the pacing was sluggish, half the scenes were dramatically stillborn, and there was no production value to speak of (it was one of Good Harvest's "pito-pito" (seven-seven) films, reportedly made for around 50 to 65 thousand US dollars, shot in seven days (actually around ten), and post-produced for another seven (actually ten to fourteen)) – but two things about it stood out: it had an unusually thoughtful tone, and it had a riveting lead actor.

Ĺľelimir Ĺľilnik

raya martin

lav diaz

Lav Diaz (1958, Cotabato, Philippines) studied at the Mowelfund Film Institute in Quezon City. His breakthrough came with Batang West Side, with a respectable length of five hours, chosen as best film at the film festivals in Brussels and Singapore. Evolution of a Filipino Family lasts 10.5 hours and was screened last year in Rotterdam.

filmography

2006 Heremias/Jeremiah

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